It stood above the glut of survival horror cash-ins not just for its full 3D graphics and compelling story but for its masterful use of sound. When Konami released Silent Hill in 1999. A concert based on a cult horror game seems unusual, but then this will be the first ever performance in the UK for Akira Yamaoka, the man seen as singularly responsible for Silent Hill's oppressive atmosphere. Zelda and Final Fantasy symphonies have been performed in the UK, and Tommy Tallarico's Video Games Live has been running for over a decade. However, fans can still get a fix as a performance of its music, Silent Hill Live, will be touring the UK this Halloween.
#IB GAME OST SERIES#
Silent Hill as a series is currently dormant following the cancellation of Hideo Kojima and Guillermo Del Toro's partial reboot. "Silence is also a sound" - Akira Yamaoka. 6 credits of major electives: any course with a GAIM prefix not already completed and any 300- or 400-level courses from the following course prefix areas not already completed: CM, CW, FS, IR, MB, MTEC, OCOMP, OCWPR, OMBUS, OMPRD, OSONG, PW, SCRN, or SW.Akira Yamaoka and a screenshot from Silent Hill 2.SCRN-491 Business Career Workshop for Media Composers (2 credits).GAIM-489 Senior Portfolio and Seminar in Game and Interactive Media Scoring (2 credits).LHUM-433 Digital Narrative Theory and Practice (3 credits).GAIM-479 Project Management, Communication, and Collaborative Tools for Interactive Media (2 credits).GAIM-472 Advanced Mixing for Interactive Media (2 credits).GAIM-471 Advanced Scoring for Interactive Media (3 credits).GAIM-381 Audio Foundations of Interactive Media (2 credits).GAIM-372 Mixing for Interactive Media (2 credits).GAIM-371 Scoring for Interactive Media (3 credits).SCRN-240 Introduction to Orchestration and Composition for Media Composers (2 credits).SCRN-202 Introduction to Scoring Technology for Media Composers (2 credits).GAIM-271 Introduction to Games and Interactive Media Scoring (2 credits).
use the technical tools for games' collaborative and programming environments.program custom sound playback approaches in major video game development environments.work successfully in a team environment to produce audio assets.evaluate how game design mechanics impact audio production needs.deconstruct the design and mechanics of video games.mix, implement, and program music scores within games.create synth mockups of live instruments.write music in multiple styles for a wide range of live ensembles and work with virtual instruments.recognize, learn, and compose for multiple game audio technologies.compose music in multiple interactive scoring methodologies utilized in game and interactive media, including branching, layering, and transitional scores.Upon successful completion of this program, students will: Interactive scoring methods are applied to sync to picture based on dramatic context, utilizing harmonic and cadential development and non-song-based methods of musical development. The music score uses intervallic relationships of notes, harmony, and intervals in storytelling related to dramatic effect. The music score is a cornerstone in modern storytelling and one of the foundational components of the major. Like the video game industry itself, this program is steeped in the practice of collaboration: Students in the major will collaborate not only with other students at Berklee, but also score student games from universities that offer the top video game development programs. Students learn modern approaches to video game scoring, compositional techniques, aesthetics, relevant technology, self-discipline, musicianship, and creative development. The game and interactive media scoring major explores the history of music in video games and then applies that knowledge through interactive scoring projects.
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